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Dublin City Libraries and Dublin UNESCO City of Literature are delighted to support Nidhi Zak/Aria Eipe as she receives one of 23 one-to-one mentoring from professional writer-mentors over the coming year from Words Ireland National Mentoring Programme 2020.
We look forward to working with her over the next year. Congratulations!
The Ireland Chair of Poetry Trust is delighted to announce the publication of a special commemorative anthology featuring original poems, essays and reflections by emerging poets in response to the work of creative mentors.
Edited by the recipients of the 2019 Ireland Chair of Poetry Student Award — Mícheál McCann, Summer Meline, Marcella L.A. Prince, and Nidhi Zak/Aria Eipe — with Frank Ormsby as advising editor, the anthology aims to commemorate the 25th anniversary of Seamus Heaney’s Nobel Prize win, as well as honour the contribution and legacy of the Chairs of Poetry and their peers, among a new generation of poets. Continuing their fine work, as seen in the Poet’s Chair series, UCD Press will publish the anthology in late 2020.
In an effort to celebrate the unique and formative relationships that exist between new writers and their creative mentors, the editors hope for this anthology to spark an intergenerational dialogue by bridging established, well-known names in Irish literature with newfound, diverse voices, and illuminate the literary heritage, traditions, themes and resonances unfolding in contemporary Irish poetry.
Read more“I am extremely excited by the young talent that we have right now. Take for example this quartet of writers in their 20s – Sally Rooney, Ian Maleney, Nidhi Zak/Aria Eipe and Stephen Sexton – they are remarkably assured.”
Hard Border
So much talk of backstops and borders
bad politics heralding a return
to a history no one wants to see
repeated
so they tell us stories
instead: so many urban legends
that are probably untrue
like, have you heard the one about the house
in Pettigo, partitioned through the middle
or the Belfast woman shoving butter down her socks
the brainy British official beckoning her near
for a friendly fireside chat, all that offending
sticky yellow warm pissing past her legs
or the crafty fisherfellow on that disputed estuary
between Donegal and Derry
who painted his vessel two conflicting colours
so he could fish in the liminal lake without a fig for quotas,
buzzing busy as a worker bee between both harbours
or the bold schoolboy on his bicycle
pedaling across each day
customs guards turning his pockets inside out,
their notions upside down,
finding nothing,
until lines were lifted,
checkpoints closed, guns given up,
then they asked him what it was,
the precious cargo he’d been smuggling
all those years
— they thought he’d never come around,
and he said, like any boy that age —
bicycles
because what could we love
any more
than the things which give us wings?
— Nidhi Zak/Aria Eipe, from Writing Home: The ‘New Irish’ Poets
The €1,000 prize, which is awarded to a poet who has not yet published a full-length collection, was presented to the winner, Scott McKendry, at the Kavanagh Weekend in Inniskeen, Co Monaghan, on Friday 27 September.
The judge of the award, poet and novelist Brian Lynch, said, “McKendry’s work centres on Hopewell Place, in the Old Lodge district of Belfast known as the Hammer […] What is most remarkable about Scott, however, is his ear for the music of common speech and high poetry. I foresee a great future for him.
The level of this year’s competition was so high that I felt obliged to choose four runners-up, each of whom, plus a number of other ‘highly commended’ entries, would have been a worthy winner.”
The runners-up are Jerm Curtin, Colette Colfer, Victoria Kennefick, and Audrey Molloy. The highly commended poets are Nidhi Zak/Aria Eipe, Emma Must, A.M. Cousins, Angela Finn, Mark Ward, Sean Kelly, Gail McConnell, Emily S. Cooper, Zosia Kuczynska, and Teresa Godfrey.
Sophie Grenham meets poet Jessica Traynor to discuss the emerging feminine voice in Irish poetry
Originally published in The Gloss Magazine — with The Irish Times. September 2019.
Luna
looks like she is waning:
lowenergylike, she spills
the creamy orb into
the cappuccino but fails to
move it in the way that makes
a heart
out of what we desire.
She says the new ob/gyn she went
to see, he told her that perhaps she
should consider other options
for she might realistically be past
the point where being able to bear
a child
would be a viable thing.
The nozzle is hot, bothered, frothing
at the mouth hissing in a true temper
yet the consummate barista
seems nearly like a natural:
watch her turn to hush and quiet
the milk
swaddling the tiny arm in white.
She says – he was saying it
could be something to do with
my hormones not doing what
they are supposed to and that
they might even be insufficient
my ovaries
I mean – but what does man know?
I tell her, the real reason
is apparent to anyone less man
more woman drawn by the primal
pull of the moon and how she
is gently ever edging away from
our earth
by four centimetres each year.
Some night she’ll long for us no
longer our blood will halt its tidal
surge towards her hunger, see now
sea, waters rising past our hips
snuffing all breath from our lips
so speak
have him know that until then
– girl,
you are celestial, vital, luminous
you can bear
– just about –
any body.
On a sunny day in Dublin’s docklands, the history of the city can seem deeply buried under sharp-cut modern pavements. The sun bounces between tinted skyscraper windows. The Liffey curls past, its currents hidden deep beneath its glassy surface.
But there are shapes among the plane trees on the dockside campshires – slender, elongated shapes, almost as thin as these young trees, dappled in the vivid green leaf-light of early summer. Behind them, a starved dog crouches. These are Rowan Gillespie’s Famine Statues.
Stand beside them and address your attention to the area again. Look for the organic, the tactile among the bright steel and glass. The evocative line of the CHQ building draws the eye – a warehouse denuded of its forbidding front, its petrified forest of cast iron columns revealed through its floating glass facade. The masts of the Jeanie Johnston cause a tangle in perspective with the Sam Beckett Bridge’s reclining harp. The cobbles beneath your feet raise a metallic jangle from a passing bicycle. …
Nidhi Zak/ Aria Eipe’s formerly exotic, fruit wryly addresses cultural difference while honouring the taste of home.
…This year it will be Raining Poetry at the UCD Festival. Raining Poetry is an outdoor art installation at UCD, created by the Irish Poetry Reading Archive in collaboration with three of Ireland’s well-known haiku poets, and student winners of the 2019 UCD haiku competition.
Using stencils and water-resistant spray paint we have created hidden haiku poems that will only become visible on rainy days. The biodegradable paint is designed to fade within six to eight weeks but, until then, anyone walking around the campus might be lucky enough to be surprised by a poem.
We’re delighted to present work by Irish-language writer Gabriel Rosenstock, award-winning poet and children’s author, Amanda Bell, and founder of Haiku Ireland, Maeve O’Sullivan. Poems from the recent UCD Haiku Competition, run by Dr Lucy Collins from the UCD School of English, Drama and Film, will also feature work by joint winners Nidhi Zak/Aria Eipe and Liz Houchin.
“These ‘rainworks’ are a great way to bring poetry out of the classroom, the library, and the bookshop, making it accessible and visible to everyone,” says Ursula Byrne, head of development at UCD Library, who is working on this installation. “The idea first came to us from Paula Meehan, when she was Ireland Professor of Poetry. We’re excited that UCD is the first in Ireland to bring ‘Raining Poetry’ to its pavements.” …
The Ireland Chair of Poetry Trust is delighted to announce the winners of the 2019 Student Prize.
The Trustees initiated the prize this year in line with their focus on encouraging the writing of poetry within the three Universities who support the Trust. The Trustees, together with the current Ireland Professor of Poetry Eiléan Ní Chuilleanáin were delighted to see the level of interest in the prize and commended all those working within the relevant schools and departments of the Universities as well as the students themselves for their remarkable work.
Each student was required to submit a sample of their work, which was examined by the assessment panel.
The Trust have decided to award the following students:
Summer Meline (Trinity College)
Nidhi Zak/Aria Eipe (University College Dublin)
Marcella Prince (Queen’s University Belfast)
Mícheál McCann (Queen’s University Belfast).
All prize winners have expressed their delight and thanks to the Trust, for the recognition and encouragement that this prize signifies to them.